In the liner notes of the CDs it issues, Germany's MDG label offers a blurb touting its "genuine reproduction with precise depth gradation, original dynamics, and natural tone colors." It's reminiscent of the specs-crazy 1960s, but once in a while the engineers do meet the musicians at a charmed spot. Lamentationes is a disc of fairly obscure Renaissance choral music that's not going to hit the top of the classical charts, but put it on a high-end stereo and it'll get the attention of anyone who stops by. The small, seven ...
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In the liner notes of the CDs it issues, Germany's MDG label offers a blurb touting its "genuine reproduction with precise depth gradation, original dynamics, and natural tone colors." It's reminiscent of the specs-crazy 1960s, but once in a while the engineers do meet the musicians at a charmed spot. Lamentationes is a disc of fairly obscure Renaissance choral music that's not going to hit the top of the classical charts, but put it on a high-end stereo and it'll get the attention of anyone who stops by. The small, seven-voice Josquin Capella performs three works that illuminate the special vocabulary associated with mourning in the High Renaissance. The disc opens with a set of Lamentationes Hieremiae Prophetae (Lamentations of Jeremiah) by Costanzo Festa, better known for his contributions in the zippy frottola genre. A marvelously expressive setting of this Holy Week text, it's followed by the Requiem of Johannes Ockeghem, perhaps the first complete polyphonic setting of the Mass for the Dead. The...
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