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Fine. Sewn binding. Cloth over boards. With dust jacket. 184 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
New. Sewn binding. Cloth over boards. With dust jacket. 184 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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As New in As New jacket. Folio-over 12"-15" tall First Edition. As New/As New. Hardcover; square folio; brown cloth; 192 pp.; illustrated with 106 color photographs; a clean and crisp copy, still in publisher's original shrinkwrap. (extra shipping may apply)
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Near Fine in Hard Cover jacket. AA1-A first edition hardcover book SIGNED and dated by Bill Wittliff on the half-title page and also SIGNED by Stephen Harrigan on the title page in near fine condition in near fine dust jacket that is mylar protected. Dust jacket and book have some bumped corners. A book of Tragaluz Photography. WIth Introductory Essays by Elizabeth Ferrer & Stephen Harrigan. La Vida Brinca reveals that Wittliff's tragaluz photography is an ideal vehicle for finding profound meaning in the commonplace, for seeing beyond what the eye can see. 12"x12.25", 192 pages. Satisfaction Guaranteed. La Vida Brinca-life jumps-and yet we strive to capture its passing moments by creating images. One of the simplest yet most evocative techniques for image-making is pinhole photography. Using a tiny aperture without a lens to shine light on a piece of film, pinhole cameras accumulate light until an image forms. Bill Wittliff calls the cameras he makes tragaluces, "light swallowers." By controlling only the size of the aperture, the distance to the film, and the length of the exposure, he makes images that forsake the documentary realism of traditional photography to disclose instead the presence of the mystical in the everyday world. The tragaluz photographs in La Vida Brinca record iconic images of Hispanic life. Wittliff photographed fiestas, religious observances, street scenes, people's faces, and enduring rural landscapes. But with the soft focus and surprise elements that typify his tragaluz photographs, these images become dreamlike-scenes from a world where, as Stephen Harrigan says, "reassuring touchstones are likely to dissolve, and where the unseen is always startlingly on view." The accompanying essays by Harrigan and Elizabeth Ferrer discuss the history and techniques of pinhole photography, as well as Bill Wittliff's artistic choice to work in this medium. As a work of art, La Vida Brinca reveals that pinhole photography is an ideal vehicle for finding profound meaning in the commonplace, for seeing beyond what the eye can see.
