Broadway star Sarah Brightman lends her ethereal, angelic vocals to another combination of classical and pop, resulting in a solid, stirring collection. This outing, the ex-Mrs. Andrew Lloyd Webber adapts Rachmaninov ("How Fare This Spot"), Beethoven ("Figlio Perduto"), and Handel ("Solo Con Te") alongside the brothers Gibb and Simon and Garfunkel. The uncanny thing is how canny Brightman is at bridging the contemporary with the classics so that they seem timeless. She brings touches of adult contemporary, rock, and even, ...
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Broadway star Sarah Brightman lends her ethereal, angelic vocals to another combination of classical and pop, resulting in a solid, stirring collection. This outing, the ex-Mrs. Andrew Lloyd Webber adapts Rachmaninov ("How Fare This Spot"), Beethoven ("Figlio Perduto"), and Handel ("Solo Con Te") alongside the brothers Gibb and Simon and Garfunkel. The uncanny thing is how canny Brightman is at bridging the contemporary with the classics so that they seem timeless. She brings touches of adult contemporary, rock, and even, surprisingly enough, techno to the mix; some of these songs, "Here With Me" in particular, are crying out to be remixed as dance songs. Her crystalline soprano leads you on a sentimental journey through "Scarborough Fair" then lilts through a playful "Hijo de la Luna" without missing a beat. Especially successful is the last track, "First of May," as it was recorded live in South Africa. It shows that Brightman's talent doesn't need the production so many contemporary vocalists need to sound phenomenal. There is something melancholy in her expressive voice and in the production of each song on this album, so that even if you don't understand the language of the lyrics, you're left feeling a bit nostalgic, and the effect is not that of much of the plastic A/C market but one of genuine emotion. She doesn't manipulate you into feeling; she actually moves you. Overall, this album achieves some beautiful highs without being over the top. ~ Bryan Buss, Rovi
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Seller's Description:
Good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
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Adams/Goldman/Ingeb; Armstrong/Brightman; Bevilacqua/Brightma; Brightman/Cano; Brightman/Dvorak/Dv; Brightman/Ferrau/Ha;... Very Good. Used-Very Good Condition. Case and disc(s) is in great condition with no significant scratches or marks. Includes original artwork and liner notes when applicable.
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Seller's Description:
Adams/Goldman/Ingeb; Armstrong/Brightman; Bevilacqua/Brightma; Brightman/Cano; Brightman/Dvorak/Dv; Brightman/Ferrau/Ha;... Very Good. Used-Very Good Condition. Case and disc(s) is in great condition with no significant scratches or marks. Includes original artwork and liner notes when applicable.
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Seller's Description:
Adams/Goldman/Ingeb; Armstrong/Brightman; Bevilacqua/Brightma; Brightman/Cano; Brightman/Dvorak/Dv; Brightman/Ferrau/Ha;... Good. Used-Good Condition. Some signs of use, but nothing that should affect playback. Includes case and original artwork and liner notes when applicable.
I ordered La Luna for $2.48 which was described by Streetlight records as "Fine/Very Fine".
They assured that the product would arrive "with all original artwork and materials".
I was totally affronted when I looked at the CD and saw that a piece of the case in the lower right corner was missing. That is false advertising.
I am wiling to keep the CD but not at the original price. The suggested price for other La Luna's in the "Good" category is 98cents and that sounds about right for the adjustment to be mad here. Please refund to me the difference and I will keep the CD.
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