Skip to main content alibris logo
Krips Conducts Mozart [Box Set] - Royal Concertgebouw Orchestra; Josef Krips (conductor)
Filter Results
Item Condition
Seller Rating
Other Options
Change Currency
Track Listing
  1. Symphony No. 21 in A major, K. 134
  2. Symphony No. 22 in C major, K. 162
  3. Symphony No. 23 in D major, K. 181 (K. 162b)
  4. Symphony No. 24 in B flat major, K. 182 (K. 173dA)
  5. Symphony No. 25 in G minor, K. 183 (K. 173dB)
Show All Tracks
  1. Symphony No. 21 in A major, K. 134
  2. Symphony No. 22 in C major, K. 162
  3. Symphony No. 23 in D major, K. 181 (K. 162b)
  4. Symphony No. 24 in B flat major, K. 182 (K. 173dA)
  5. Symphony No. 25 in G minor, K. 183 (K. 173dB)
  6. Symphony No. 26 in E flat major, K. 184 (K. 161a)
  7. Symphony No. 27 in G major, K. 199 (K. 161b)
  8. Symphony No. 28 in C major, K. 200 (K. 189k)
  9. Symphony No. 29 in A major, K. 201 (K. 186a)
  10. Symphony No. 30 in D major, K. 202 (K. 186b)
  11. Symphony No. 33 in B flat major, K. 319
  12. Symphony No. 34 in C major, K. 338
  13. Symphony No. 31 in D major ("Paris"), K. 297 (K. 300a)
  14. Symphony No. 31 in D major ("Paris"), K. 297 (K. 300a): Alternative Andante
  15. Symphony No. 35 in D major ("Haffner"), K. 385
  16. Symphony No. 36 in C major ("Linz"), K. 425
  17. Symphony No. 39 in E flat major, K. 543
  18. Symphony No. 41 in C major ("Jupiter"), K. 551
  19. Symphony No. 40 in G minor, K. 550
  20. Symphony No. 32 in G major, K. 318
  21. Symphony No. 38 in D major ("Prague"), K. 504
Show Fewer Tracks
Browse related Genres
+ Browse All Genres

Recorded at the end of a long and distinguished career, Austrian conductor Josef Krips' early-'70s stereo Philips' recording of Mozart's last 20 symphonies with the Dutch Concertgebouw Orchestra was one of the touchstones of the repertorie for decades. Grand but fine-grained, colorful but subtly blended, straightforward but stylishly elegant, bright-eyed but warmhearted, Krips and the Concertgebouw perform the impossible trick of balancing Mozart's music between the human and the sublime. And while much of the glamour of ...

loading