This pair of single-movement viola concertos written for Yuri Bashmet justify his renown. In both, he is able to draw an impressive variety of expressions from his instrument with seeming ease. On the other hand, it's obvious there was a lot of thought and care put into his interpretations. The concertos need thoughtful interpretations by the soloist and the conductor, not because the pieces are necessarily complex in rhythm or harmony, but they are complex in tone and color. Valery Gergiev conducts the Mariinsky Theater ...
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This pair of single-movement viola concertos written for Yuri Bashmet justify his renown. In both, he is able to draw an impressive variety of expressions from his instrument with seeming ease. On the other hand, it's obvious there was a lot of thought and care put into his interpretations. The concertos need thoughtful interpretations by the soloist and the conductor, not because the pieces are necessarily complex in rhythm or harmony, but they are complex in tone and color. Valery Gergiev conducts the Mariinsky Theater Orchestra and the St. Petersburg Chamber Choir also in the Kancheli, with a thoughtfulness that complements Bashmet's. In fact, the interpretations seem so natural, it's a wonder what the concertos sound like with other orchestras and conductors, particularly how that affects improvised solo sections of the Gubaydulina. The wide dynamic ranges of the Kancheli meant having to turn up the volume to get the muted parts, which shouldn't be mistaken for the characteristic silences of his...
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