by Edward Sorel Edward Sorel is widely recognized as America's premier illustrator. But when he wasn't painting covers and making drawings for The New Yorker, The Atlantic, Time, and Rolling Stone , he was making comic strips. Sorel's strips are iconoclastic, cynical, and universally excoriating. No target escapes his watchful wrath: politicians, theological dynasties, idealogues left and right, lawyers, publishers, and the usual gang of movers and shakers (nor does he spare himself). Culled from the pages of The ...
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by Edward Sorel Edward Sorel is widely recognized as America's premier illustrator. But when he wasn't painting covers and making drawings for The New Yorker, The Atlantic, Time, and Rolling Stone , he was making comic strips. Sorel's strips are iconoclastic, cynical, and universally excoriating. No target escapes his watchful wrath: politicians, theological dynasties, idealogues left and right, lawyers, publishers, and the usual gang of movers and shakers (nor does he spare himself). Culled from the pages of The Nation , the Village Voice, Penthouse , and other magazines, Sorel proves he is that most dangerous of creatures - a cartoonist with a chip on his shoulder.
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