John Singleton Copley was the leading portraitist of the American colonial era. This volume, which accompanies a major exhibition of Copley's work organized by The Metropolitan Museum of Art, New York, and the Museum of Fine Arts, Boston, focuses on the paintings, miniatures, and pastels which Copley produced before he moved to London in 1774. In four principal essays, a team of experts places Copley's work in historical and social context, and brings new critical methods to bear upon traditional aspects of the study of ...
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John Singleton Copley was the leading portraitist of the American colonial era. This volume, which accompanies a major exhibition of Copley's work organized by The Metropolitan Museum of Art, New York, and the Museum of Fine Arts, Boston, focuses on the paintings, miniatures, and pastels which Copley produced before he moved to London in 1774. In four principal essays, a team of experts places Copley's work in historical and social context, and brings new critical methods to bear upon traditional aspects of the study of portraits and portraiture. Among the conclusions are that Copley's portraits helped to shape pre-Revolutionary culture, and that their content was market-driven in a relentlessly consumerist, anglophile society. Four shorter texts treat Copley's use of costumes in his portraits, his achievement as a miniaturist, his pastels, and the frames he used for his work. Catalogue entries on the color plates detail the sitters' lives, decode the emblematic language that reflected status in colonial society, and reveal the way Copley contrived to enhance his subjects' status. The exhibition with which the book is timed to coincide opened in June 1995 in Boston and in September 1995 in New York, and traveled subsequently to Houston and Milwaukee. [This book was originally published in 1995 and has gone out of print. This edition is a print-on-demand version of the original book.] Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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Seller's Description:
Used-Very Good. VG paperback. 1995 publication in conjunction with exhibition of the same name; numerous colour and B&W illustrations; binding tight; cover uncreased; light creasing to spine; otherwise, a clean, tidy copy. This is a heavy book (c. 2.2 kg packed); additional postage may be required.
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Seller's Description:
Fine in Fine jacket. Qto Large Qto., 364 pages, 328 illustrations, 117 full colour plates, and a chronology. Copley, 1738-1815 was the supreme portrait painter of the colonial period, before he left his native Boston for Engl and in 1774. A Fine copy in a Fine dust jacket.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Fair. Item in acceptable condition including possible liquid damage. As well answers may be filled in. May be missing DVDs, CDs, Access code, etc. 100%Money-Back Guarantee! Ship within 24 hours! !
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Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
