Artists Joey Kirkpatrick and Flora C. Mace began collaborating at Pilchuck Glass School in 1979 and went on to become pioneers of style and technique in the art glass world. The innovation, scale, and complexity of their work firmly established their place alongside other major glass artists, and their work is included in many museum collections around the world. Despite this, Kirkpatrick and Mace have not been afforded a scholarly review of their careers, which now span more than thirty years. Throughout their productive ...
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Artists Joey Kirkpatrick and Flora C. Mace began collaborating at Pilchuck Glass School in 1979 and went on to become pioneers of style and technique in the art glass world. The innovation, scale, and complexity of their work firmly established their place alongside other major glass artists, and their work is included in many museum collections around the world. Despite this, Kirkpatrick and Mace have not been afforded a scholarly review of their careers, which now span more than thirty years. Throughout their productive careers, Kirkpatrick and Mace have consistently explored seminal themes: principles of "drawing" as incorporated into glass, the metaphoric content of our relationship to nature, and the appropriation of materials to support a visual idea. This book will bring the depth and richness of these themes into comprehensive focus.
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Good. FORMER LIBRARY COPY. Former Library book. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.
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Fair. An acceptable and readable copy. All pages are intact, and the spine and cover are also intact. This item may have light highlighting, writing or underlining through out the book, curled corners, missing dust jacket and or stickers.
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Dust jacket in very good condition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Prior owner's stamp at front free endpaper. Secure packaging for safe delivery.
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Very Good in Very Good jacket. Dark red cloth boards with black lettering on spine and front panel. The binding is tight and the corners are sharp. Text and images are clean and unmarked. The photo illustrated dust jacket shows only a trace of handling, in a mylar cover.
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