Well-traveled photographer and war correspondent Felice Beato (1832-1909) reached the Japanese port city of Yokohama in July 1863 and spent more than twenty years there. He captured unique portraits of geishas in splendid kimonos, samurai, sumo wrestlers, and scenes of everyday life or classic Japanese landscapes. Beato's photographs deeply influenced the style of the Yokohama School, not so his fellow Japanese enthusiasts and contemporaries Charles Wirgman, Raimund Freiherr Stillfried von Rathenitz, and Adolfo Farsari ...
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Well-traveled photographer and war correspondent Felice Beato (1832-1909) reached the Japanese port city of Yokohama in July 1863 and spent more than twenty years there. He captured unique portraits of geishas in splendid kimonos, samurai, sumo wrestlers, and scenes of everyday life or classic Japanese landscapes. Beato's photographs deeply influenced the style of the Yokohama School, not so his fellow Japanese enthusiasts and contemporaries Charles Wirgman, Raimund Freiherr Stillfried von Rathenitz, and Adolfo Farsari.Characteristic of Beato's photographs-which in the early days were exposed on albumin plates-is their careful composition, occasionally recalling woodcuts by master artists Hiroshige or Hokusai. However, the Anglo-Italian photographer and his fellow artists were pioneers in hand-colored photography: their vivid impressions provide a view of traditional Japanese society of the waning Edo period, and for a long time they shaped the European notion of the exotic, distant Asian country.
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Jumbo-sized. Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD.
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New. 3775734376. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in German and English. 132 pages; illustrated in color. --with a bonus offer--