American composer James Hartway is, by his own admission, rather accessible when it comes to composing pieces on commission. This album of four of his chamber works features three such commissioned works. Hartway's approach to composition is very visual, the themes for many movements evoking imagery either directly through lyrics, as in "Imaginary Creatures," or abstractly, as in "Images of Mogador." In either case, Hartway certainly has a definite program in mind for the majority of the work heard here. What comes into ...
Read More
American composer James Hartway is, by his own admission, rather accessible when it comes to composing pieces on commission. This album of four of his chamber works features three such commissioned works. Hartway's approach to composition is very visual, the themes for many movements evoking imagery either directly through lyrics, as in "Imaginary Creatures," or abstractly, as in "Images of Mogador." In either case, Hartway certainly has a definite program in mind for the majority of the work heard here. What comes into question on this album is how successful the performances are at delivering these programmatic aspects. Three Myths for Piano, performed by pianist and commissioner Pauline Martin, is well played but it is uncertain whether a listener would arrive at any specific imagery without advanced knowledge of the program. "Imaginary Creature," which relies on the soprano to delineate the program, is certainly more accessible and easier to understand. The performance here, however, is lacking....
Read Less
Portions of content provided by Rovi Corporation. © 2024 Rovi Corporation.