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J.S. Bach: Goldberg Variations, BWV 988; Italian Concerto, BWV 971; etc. ()

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composed by Johann Sebastian Bach

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J.S. Bach: Goldberg Variations, BWV 988; Italian Concerto, BWV 971; etc. - Christophe Rousset (harpsichord)
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  1. Goldberg Variations, for keyboard, BWV 988 (BC L9) (Clavier-Übung IV)
  2. Italian Concerto, for solo keyboard in F major, BWV 971 (BC L7) (Clavier-Übung II/1)
  3. Overture in the French Manner, partita for keyboard in B minor, BWV 831 (Clavier-Übung II/2)
  4. Duetto, for keyboard No. 1 in E minor, BWV 802 (BC J74) (Clavier-Übung III/22)
  5. Duetto, for keyboard No. 2 in F major, BWV 803 (BC J75) (Clavier-Übung III/23)
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  1. Goldberg Variations, for keyboard, BWV 988 (BC L9) (Clavier-Übung IV)
  2. Italian Concerto, for solo keyboard in F major, BWV 971 (BC L7) (Clavier-Übung II/1)
  3. Overture in the French Manner, partita for keyboard in B minor, BWV 831 (Clavier-Übung II/2)
  4. Duetto, for keyboard No. 1 in E minor, BWV 802 (BC J74) (Clavier-Übung III/22)
  5. Duetto, for keyboard No. 2 in F major, BWV 803 (BC J75) (Clavier-Übung III/23)
  6. Duetto, for keyboard No. 3 in G major, BWV 804 (BC J76) (Clavier-Übung III/24)
  7. Duetto, for keyboard No. 4 in A minor, BWV 805 (BC J77) (Clavier-Übung III/25)
  8. Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34)
  9. Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1)
  10. Partita for keyboard No. 2 in C minor, BWV 826 (BC L2)
  11. Partita for keyboard No. 6 in E minor, BWV 830 (BC L6)
  12. Partita for keyboard No. 3 in A minor, BWV 827 (BC L3)
  13. Partita for keyboard No. 4 in D major, BWV 828 (BC L4)
  14. Partita for keyboard No. 5 in G major, BWV 829 (BC L5)
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Released in the early '90s, these recordings by young French harpsichordist Christophe Rousset created a sensation in early music circles. Contrary to then-current light-of-touch, quick-of-wrist style of playing common to harpsichordists, Rousset was no dainty quill plucker, but a full-blooded virtuoso with the steely fingers, individual temperament, and reckless virtuosity characteristic of the supreme players on any instrument. His Goldberg Variations are technically incandescent and eminently lucid, his Italian Concerto ...

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