Some would say that its history began bleakly, with an absence of tradition and an approach regional in concept and application: Israel in the early twentieth century was enormously far from world art centers, its art enormously far from aesthetic precursors. But like the artist with her singular vision, Israeli art progressed courageously, improvising, defying all while combining regional conditions with standards and qualities introduced by European immigrant artists.
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Some would say that its history began bleakly, with an absence of tradition and an approach regional in concept and application: Israel in the early twentieth century was enormously far from world art centers, its art enormously far from aesthetic precursors. But like the artist with her singular vision, Israeli art progressed courageously, improvising, defying all while combining regional conditions with standards and qualities introduced by European immigrant artists.
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Seller's Description:
Very Good in Very Good jacket. Remainder. 4to-over 9¾"-12" tall. The previous owner's name is written in large black letters on the front endpaper. The rest of the pages are crisp, white and clean with no creases, writing or underlining. However, there is a black remainder mark on the bottom outer page edge. The boards are bumped at the bottom corners and this created some wrinkling on the jacket at that spot. The book does not appear to have been handled much and can be regarded as a very good copy.
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Seller's Description:
Very Good in Very Good jacket. Book. Inscribed by Author(s) Signed & inscribed by Ronald Fuhrer to the previous owner on the half title page.1st edition. Hardbound in dust jacket. Minor wear to dust jacket, otherwise very good. [ Heavy. Contact for overseas shipping quote. ]
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Seller's Description:
Near fine in very good(+) jacket. Numerous color plates, one folding. 4to, blue cloth, d.w. (sunned on fore-edge sides of front & rear panels). Woodstock: Elephant's Eye, (1998). Near Fine. Presentation copy.
