Iron Fists: Branding the 20th-Century Totalitarian State is the first illustrated survey of the propaganda art, graphics, and artefacts created by the totalitarian governments of Nazi Germany, Fascist Italy, the USSR, and Communist China. The iconography produced by these regimes is universally recognized as their "brands": the swastika and aggressive typography of Hitler's Germany, Mussolini's streamlined Futurist posters and Black Shirt uniforms, the stolid Social Realism of Stalin's USSR, and Mao's Little Red Book and ...
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Iron Fists: Branding the 20th-Century Totalitarian State is the first illustrated survey of the propaganda art, graphics, and artefacts created by the totalitarian governments of Nazi Germany, Fascist Italy, the USSR, and Communist China. The iconography produced by these regimes is universally recognized as their "brands": the swastika and aggressive typography of Hitler's Germany, Mussolini's streamlined Futurist posters and Black Shirt uniforms, the stolid Social Realism of Stalin's USSR, and Mao's Little Red Book and ceramic figurines from the Cultural Revolution. Written by the eminent designer and design historian Steven Heller, who has long collected two- and three-dimensional examples from this period, Iron Fists focuses on graphic materials such as typefaces, logos, posters, advertisements, children's books, flags, and medals. As Heller explains, Mussolini fancied himself an art director and the Nazis had a sophisticated graphic program, featuring Hitler as "logo," that is remarkably similar to modern corporate identity systems. Heller also explores the meaning of color systems (each dictatorship had a distinctive palette), the development of regime-specific typefaces, and even the slogans used to both rally and terrorize the populace. Delving into the history of once-innocent antecedents in heraldry, color symbolism, and sacred and secular symbols, he demonstrates how these elements were put to disturbingly effective use in selling the totalitarian message.
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Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.
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Very good. Some light shelf storage or usage wear present. The interior appears unmarked and the binding is tight. Includes dustjacket. Individually inspected by Shadow. Thanks for supporting an independent bookseller!
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Very good. Ships Within 24 Hours M-F-Satisfaction Guaranteed! Has a publisher overstock mark. Item is in Good Condition. Clean Copy With Light Amount of Wear.
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First Edition. Hardback. Dust Jacket. 4to. pp 223. Original publishers illustrated laminated boards. Copiously illustrated in colour and black and white throughout. This book is very heavy, and delivery costs may be a consideration especially outside Britain. An illustrated history of propaganda art and design from Nazi Germany, Fascist Italy, the USSR, and Communist China. ISBN: 0714848468 Fine in fine dust jacket.
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Very Good with no dust jacket. 0714848468. Remainder stripe, bottom edge, small abrasion to front cover. Phaidon stamp to front free-endpaper. Crisp, clean copy. Binding tight and straight, corners sharp and inner pages clean and unmarked.; 10.25 X 1.25 X 11.75 inches; 224 pages.
