The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to project about America's involvement in Southeast Asia. This collection of essays, most of which are previously unpublished, analyzes the themes, modes, and stylistic strategies seen in a broad range of films and television programs. From diverse perspectives, the contributors comprehensively examine early documentary and fiction films, postwar films of the 1970s such as The Deer ...
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The Vietnam War has been depicted by every available medium, each presenting a message, an agenda, of what the filmmakers and producers choose to project about America's involvement in Southeast Asia. This collection of essays, most of which are previously unpublished, analyzes the themes, modes, and stylistic strategies seen in a broad range of films and television programs. From diverse perspectives, the contributors comprehensively examine early documentary and fiction films, postwar films of the 1970s such as The Deer Hunter and Apocalypse Now, and the reformulated postwar films of the 1980s--Platoon, Full Metal Jacket, and Born on the Fourth of July. They also address made-for-television movies and serial dramas like China Beach and Tour of Duty. The authors show how the earliest film responses to America's involvement in Vietnam employ myth and metaphor and are at times unable to escape glamorized Hollywood. Later films strive to portray a more realistic Vietnam experience, often creating images that are an attempt to memorialize or to manufacture different kinds of myths. As they consider direct and indirect representations of the war, the contributors also examine the power or powerlessness of individual soldiers, the racial views presented, and inscriptions of gender roles. Also included in this volume is a chapter that discusses teaching Vietnam films and helping students discern and understand film rhetoric, what the movies say, and who they chose to communicate those messages. ExcerptRead an excerpt from Chapter 1 (pdf).ContentsAcknowledgments Introduction - Michael Anderegg 1. Hollywood and Vietnam: John Wayne and Jane Fonda as Discourse - Michael Anderegg 2. All the Animals Come Out at Night: Vietnam Meets Noir in Taxi Driver - Cynthia J. Fuchs 3. Vietnam and the Hollywood Genre Film: Inversions of American Mythology in The Deer Hunter and Apocalypse Now - John Hellmann 4. Charlie Don't Surf: Race and Culture in the Vietnam War Films - David Desser 5. Finding a Language for Vietnam in the Action-Adventure Genre - Ellen Draper 6. Narrative Patterns and Mythic Trajectories in Mid-1980s Vietnam Movies - Tony Williams 7. Rambo's Vietnam and Kennedy's New Frontier - John Hellmann 8. Gardens of Stone, Platoon, and Hamburger Hill: Ritual and Remembrance - Judy Lee Kinney 9. Primetime Television's Tour of Duty - Daniel Miller 10. Women Next Door to War: China Beach - Carolyn Reed Vartanian 11. Male Bonding, Hollywood Orientalism, and the Repression of the Feminine in Kubrick's Full Metal Jacket - Susan White 12. Vietnam, Chaos, and the Dark Art of Improvisation - Owen W. Gilman, Jr. 13. Witness to War: Oliver Stone, Ron Kovic, and Born on the Fourth of July - Thomas Doherty 14. Teaching Vietnam: The Politics of Documentary - Thomas J. Slater Selected Bibliography Selected Filmography and Videography The Contributors IndexAbout the Author(s)Michael Anderegg is Professor of English at the University of North Dakota, and author of two other books: William Wyler and David Lean.Contributors: Cynthia J. Fuchs, John Hellman, David Desser, Ellen Draper, Tony Williams, Judy Lee Kinney, Daniel Miller, Carolyn Reed Vartanian, Susan White, Owen W. Gilman, Jr., Thomas Doherty, Thomas J. Slater, and the editor.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN: 9780877228622.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 450grams, ISBN: 9780877228622.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 500grams, ISBN: 9780877228622.
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NF. Wrappers. Green rear cover, green photographic spine and front cover are all clean, bright, and glossy. Book has a nearly unnoticable trace of rubbing at the head of the spine and at the extreme tips of a couple of the outside corners. Binding is straight and tight. Pages are all clean, white, and crisp. 315 pages.
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Good. Trade paperback (US). Glued binding. 315 p. Culture and the Moving Image. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
