The innovative work of Walter Burkett and the 'Paris school' of Jean-Pierre Vernant has led to renewed interpretation of the Greek myths. This collections of essays avoids monolithic or exclusively structuralist interpretations. This book should be of interest to teachers and students of Greek drama and mythology.
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The innovative work of Walter Burkett and the 'Paris school' of Jean-Pierre Vernant has led to renewed interpretation of the Greek myths. This collections of essays avoids monolithic or exclusively structuralist interpretations. This book should be of interest to teachers and students of Greek drama and mythology.
Read Less
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Very Good+ in Good+ dust jacket. 0709932707. Minor sheflwear to book. Scholar's name to ffep (Bonnie Maclachlan [née Ward]). DJ has some dampstaining; Interpretations of Greek Mythology, first published in1987, builds on the innovative work of Walter Burkert and the ‘Paris school' of Jean-Pierre Vernant, and represents a renewal of interpretation of Greek mythology. The contributors to this volume present a variety of approaches to the Greek myths, all of which eschew a monolithic or exclusively structuralist hermeneutic method. Specifically, the notion that mythology can simply be read as a primitive mode of narrative history is rejected, with emphasis instead being placed on the relationships between mythology and history, ritual and political genealogy. The essays concentrate on some of the best known characters and themes – Oedipus, Orpheus, Narcissus – reflecting the complexity and fascination of the Greek imagination. The volume will long remain an indispensable tool for the study of Greek mythology, and it is of great interest to anyone interested in the development of Greek culture and civilisation and the nature of myth.; 294 pages; The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience-including the roles of emotion, ethics, imagination, and knowledge-in the life of their culture.