The name of Ingolf Dahl might not be an easily familiar one to the average or casual classical listener, but he was a giant in the 20th century American West Coast school, as a teacher at USC, composer, and conductor. Despite Dahl's undeserved obscurity, such is the devotion of his former students to Dahl's memory that tributes to him, in various forms, periodically appear. A major tribute is this recording, which appeared in 1995. Coordinated by Dahl's former student Michael Tilson Thomas, it was released under the title ...
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The name of Ingolf Dahl might not be an easily familiar one to the average or casual classical listener, but he was a giant in the 20th century American West Coast school, as a teacher at USC, composer, and conductor. Despite Dahl's undeserved obscurity, such is the devotion of his former students to Dahl's memory that tributes to him, in various forms, periodically appear. A major tribute is this recording, which appeared in 1995. Coordinated by Dahl's former student Michael Tilson Thomas, it was released under the title Defining Dahl on the British Argo label. Tilson Thomas leads the New World Symphony in Dahl's Hymn (1947) and the symphonic legend The Tower of Saint Barbara (1954), the brass section of the New World Symphony pitches in on Dahl's Music for brass instruments (1944) and ace English saxophonist John Harle tackles the lead in the Concerto for alto saxophone (1954).Although Dahl stuck a tentative toe into serial techniques, particularly late in his short life, his signature sound was...
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