Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs.
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Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Used-Very Good. Most histories of 20th century design cite Peter Behrens's seminal influence on three of his former proteges-Gropius, Mies, and Le Corbusier-and mention the turbine factory and arc-lamp he designed for the German electric company, the AEG. Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Illustrated with 600 halftones, 31 line drawings, and 53 fourcolor plates, and augmented by substantial essays, it is one of the most complete documentations of any designers contribution to industry that has been assembled in the modern period. During the years that Behrens worked as artistic director for the AEG, he exercised complete control over the company's image. The resulting 'industriekultur' was expressed in everything from factory buildings and worker housing to electric appliances and railroad cars, from graphic communications like signatge and trademarks to letterheads and mailing labels. Behrens's idea that. a company can promote its identity through a consistent design program had repercussions far beyond Germany. Many of today's corporate giants consider design an integral part of their management policies; in Behrens's time, it was still considered a bold and controversial experiment. In addition to the vast array of visual material from the AEG's archives, the book contains essays by Tilmann Buddensieg, Henning Rogge, Fritz Neumeyer, Karin Wilhelm, Gabriele Heidecker, and Sabine Bohle on Behrens's relationship with the AEG's management, his predecessors and successors, the AEG's rise to dominance in the electric industry, and Behrens's design ofexhibitions, graphics, and public utilities. There are also pieces by several of Behrens's contemporaries and a selection of Behrens's own writings appearing for the first time in English. A fully-illustrated appendix with biographical details of the AEG principals, and a comprehensive bibliography and index conclude this rich account. Tilmann Buddensieg is Director of the Art History Program at the University of Bonn, and has been Visiting Professor at Harvard, Stanford, and the University of California, Berkeley. Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Very nice clean, tight copy free of any marks. Paper edition. BEAUTIFUL COPY! ! !
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Seller's Description:
Near Fine in Near Fine jacket. Oblong 8vo. Cloth, hardcover in dust jacket., dj has minute wear at some corners. price intact. no tears or chips. clean. no markings. no bumps. strong binding, hinges.; xivpp., 520pp., 600 b/w plates, 31 line drawings, 53 four-color plates.; translated from german original by iain boyd whyte.; contains text contributed by several collaborators. the major work on behrens during this period.
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Seller's Description:
Very Good. No Jacket, As Issued. Folio. First edition thus. Trade softcover. Published Cambridge, MA: Mit Press, 1984, first printing. Oblong folio wrappers, 9 3/4" x 8 1/2", xiv+520pp., hundreds of illustrations in b/w and color. Some sun fade to spine and rear cover, rear endpaper frayed at corner, else very good, clean, tight.