Although they first broke into the limelight marketed as a country act in the 1990s, Miami's Mavericks, led by the soaring, Roy Orbison-like vocals of singer Raul Malo, and with a sound that blended country elements with Tex-Mex, Latin, and Cuban touches, along with pure pop, proved to be a little too diverse (OK, a lot diverse) for the narrow confines of Nashville's version of commercial country. The band parted ways as the decade closed, reunited for a single album in 2003, then split up again while Malo, always the focal ...
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Although they first broke into the limelight marketed as a country act in the 1990s, Miami's Mavericks, led by the soaring, Roy Orbison-like vocals of singer Raul Malo, and with a sound that blended country elements with Tex-Mex, Latin, and Cuban touches, along with pure pop, proved to be a little too diverse (OK, a lot diverse) for the narrow confines of Nashville's version of commercial country. The band parted ways as the decade closed, reunited for a single album in 2003, then split up again while Malo, always the focal point and the main songwriter in the group, went on to release several solo albums that explored different genre avenues before the Mavericks reunited once more in 2011. This album, In Time, is the result, and it's a further step away from anything resembling a mainstream country release, incorporating not only the Tex-Mex and Cuban influences the band was known for, but also the rhythms of polkas, tangos, and all manner of approaches, making them closer to a band like Los Lobos than to Tim McGraw or Jason Aldean, or whoever passes for the face of country music these days. Malo co-produced this set (with Niko Bolas), and he wrote or co-wrote all of the songs here, and his versatile and incredible vocals are, as they should be, the center of everything. Tracks like the floating shuffle "Back in Your Arms Again," the pop gem "Born to Be Blue," the Roy Orbison-like "That's Not My Name," and the powerful and relentless "(Call Me) When You Get to Heaven" (a stunning, passionate, and wrenching ballad that builds and rises to a honest-to-goodness bolero crescendo) prove that neither Malo nor the rest of the bandmembers have lost nary an inch during the layoff, and if anything, have grown much more explorative and adventurous. To say this album is a return to form wouldn't be quite correct. It's an extension of it. ~ Steve Leggett, Rovi
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Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
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