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Seller's Description:
Good in Good jacket. Has a blacked-out inscription above frontispiece photo, a number written at upper right of front free endpaper; some foxing; upper right corner of spine worn-through. Dust jacket with a few tears and small chips.
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Seller's Description:
Fine in J Fine jacket. 4to 203 pp, acknowledgments, Plates 1-34, Formalist Fragments and Postmodern Manipulations by James Christen Steward, Plates 35-54, The Body and the Silver Skin by Lyle Rexer, Plates 55-66, Contemplating touch by Serge Tisseron, plates 67-91, plate captions, artist's biography, notes on contributors. Inked Inscription on page facing title page, else, Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. Black cloth.
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Seller's Description:
New. Black cloth boards with stamped lettering. BW-photographic dust jacket with black and white lettering. 203 pp. Illustrations. Catalogue of an exhibition from June 10 to September 23, 2001 at the University of Michigan Museum of Art.
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Seller's Description:
Near Fine in Fine Condition jacket. 201 pp., 168 duotone, 36 four-color plates. Previous owner's bookplate to the front, inside board, center. The previous owner has taken a marker and blacked out their name. Published on the occasion of the exhibition from The University of Michigan Museum of Art, Ann Arbor MI June 10-September 23, 2001. Dustjacket is protected with a mylar cover.
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Seller's Description:
Near Fine in Near Fine jacket. First edition, first printing. Hardcover. Fine black cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs by Ernestine Ruben. Edited by James Christen Steward. Essays by Lyle Rexer, James Christen Steward and Serge Tisseron. Includes a biography, exhibition history and bibliography. 204 pp. with 168 duotone plates and 36 four-color plates. 11-3/4 x 9-3/4 inches. Published on the occasion of the 2001 exhibition In Human Touch: Photographs by Ernestine Ruben at The University of Michigan Museum of Art. Near Fine in Near Fine dust jacket (corners lightly bumped, else Fine). From the publisher: "It was not until the age of 47 that Ernestine Ruben discovered the art of making photographs. Her rise on the international horizon has been hailed as meteoric, but like most seemingly instant artistic careers, hers seasoned over a long period, combining life-long interests in sculpture, dance, architecture, and the history of art. Focus, structure, and dimensionality have been key points within the making of Ruben's images, whether the subject matter is the artist's extraordinary work with the sculpture of Auguste Rodin in Paris, the Jewish Cemetery in Prague, or the ancient ruins of Petra. Ernestine Ruben's photographs and installations have been widely published, collected, and exhibited internationally."
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Seller's Description:
New in New jacket. First edition, first printing. Hardcover. Fine black cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs by Ernestine Ruben. Edited by James Christen Steward. Essays by Lyle Rexer, James Christen Steward and Serge Tisseron. Includes a biography, exhibition history and bibliography. 204 pp. with 168 duotone plates and 36 four-color plates. 11-3/4 x 9-3/4 inches. Published on the occasion of the 2001 exhibition In Human Touch: Photographs by Ernestine Ruben at The University of Michigan Museum of Art. New in publisher's shrink-wrap. From the publisher: "It was not until the age of 47 that Ernestine Ruben discovered the art of making photographs. Her rise on the international horizon has been hailed as meteoric, but like most seemingly instant artistic careers, hers seasoned over a long period, combining life-long interests in sculpture, dance, architecture, and the history of art. Focus, structure, and dimensionality have been key points within the making of Ruben's images, whether the subject matter is the artist's extraordinary work with the sculpture of Auguste Rodin in Paris, the Jewish Cemetery in Prague, or the ancient ruins of Petra. Ernestine Ruben's photographs and installations have been widely published, collected, and exhibited internationally."