Liberalization's Children explores how youth and gender have become crucial sites for a contested cultural politics of globalization in India. Popular discourses draw a contrast between "midnight's children," who were rooted in post-independence Nehruvian developmentalism, and "liberalization's children," who are global in outlook and unapologetically consumerist. Moral panics about beauty pageants and the celebration of St. Valentine's Day reflect ambivalence about the impact of an expanding commodity culture, especially ...
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Liberalization's Children explores how youth and gender have become crucial sites for a contested cultural politics of globalization in India. Popular discourses draw a contrast between "midnight's children," who were rooted in post-independence Nehruvian developmentalism, and "liberalization's children," who are global in outlook and unapologetically consumerist. Moral panics about beauty pageants and the celebration of St. Valentine's Day reflect ambivalence about the impact of an expanding commodity culture, especially on young women. By simply highlighting the triumph of consumerism, such discourses obscure more than they reveal. Through a careful analysis of "consumer citizenship," Ritty A. Lukose argues that the breakdown of the Nehruvian vision connects with ongoing struggles over the meanings of public life and the cultural politics of belonging. Those struggles play out in the ascendancy of Hindu nationalism; reconfigurations of youthful, middle-class femininity; attempts by the middle class to alter understandings of citizenship; and assertions of new forms of masculinity by members of lower castes. Moving beyond elite figurations of globalizing Indian youth, Lukose draws on ethnographic research to examine how non-elite college students in the southern state of Kerala mediate region, nation, and globe. Kerala sits at the crossroads of development and globalization. Held up as a model of left-inspired development, it has also been transformed through an extensive and largely non-elite transnational circulation of labor, money, and commodities to the Persian Gulf and elsewhere. Focusing on fashion, romance, student politics, and education, Lukose carefully tracks how gender, caste, and class, as well as colonial and postcolonial legacies of culture and power, affect how students navigate their roles as citizens and consumers. She explores how mass-mediation and an expanding commodity culture have differentially incorporated young people into the structures and aspirational logics of globalization.
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Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $11.95, good condition, Sold by ARC Foundation Thrift Store rated 5.0 out of 5 stars, ships from Ventura, CA, UNITED STATES, published 1983 by Northwestern University Press.
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Good. Size: 9x7x1; cover wear wear on edges and corners creasing sun damage some stains on edges of pages and coverYour purchase benefits those with developmental disabilities to live a better quality of life.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $16.62, good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 1972 by Northwestern University Press.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $16.62, good condition, Sold by ThriftBooks-Reno rated 5.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 1972 by Northwestern University Press.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $16.62, good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1972 by Northwestern University Press.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $16.62, good condition, Sold by ThriftBooks-Baltimore rated 5.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 1972 by Northwestern University Press.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $16.62, fair condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 1972 by Northwestern University Press.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $16.62, fair condition, Sold by ThriftBooks-Reno rated 5.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 1972 by Northwestern University Press.
Add this copy of Improvisation for the Theater: A Handbook of Teaching to cart. $18.99, very good condition, Sold by Moss Glen Books rated 5.0 out of 5 stars, ships from New Haven, CT, UNITED STATES, published 1983 by Northwestern University Press.
Add this copy of Improvisation for the Theater: a Handbook of Teaching to cart. $19.00, good condition, Sold by bookbooth rated 4.0 out of 5 stars, ships from Berea, OH, UNITED STATES, published 1983 by Northwestern University Press.
Add this copy of Improvisation for the Theater a Handbook of Teaching to cart. $26.00, good condition, Sold by The Unskoolbookshop rated 4.0 out of 5 stars, ships from Brattleboro, VT, UNITED STATES, published 1969 by Northwestern University Press.
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Good+ No Jacket. Book There's a paper taped to the inside cover. Slight looseness to spine. Very slight wear to cover corners. Tattered dust jacket is present, but not useable. Notations to a few pgs only. NOT a former library book.
I am very excited about applying the theater techniques found in this book. Viola Spolin puts forth a very systematic (yet fun) method for learning to act and improvise. Before reading this book I was convinced that some people are natural actors and others are not. Now I believe that even I can learn to act. The book is mostly geared to directors of improvisational theater, and to some extent directors of scripted theater. There is at least a whole chapter on working with children in theater. That sounds like a great deal of fun as well. Gee, maybe I should buy a couple more copies so each of directors can have one, I'm that enthused. It's both practical, and individual in that she explains how you the director can tailor the exercises to specific issues your actors are facing. The exercises are basically theater games, which Spolin is justly famous for.
