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Seller's Description:
Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1850grams, ISBN: 0807614203.
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Seller's Description:
Very Good in Very Good jacket. Writing with the sensitivity and erudition that made him one of the most illuminating and accessible writers of his generation, Meyer Schapiro offers a fresh and exciting new look at 'the Impressionist family'. He bypasses the popular preference, in art historical writing, for a strictly theoretical point of view and employs a broad range of contextual themes--art history, economics, politics, philosophy, literature, science, and even environmental history--to examine the Impressionist painters and their works within their original cultural settings. Exploring minute details and broad, historical trends, reaching back into eighteenth-century history and ahead to Abstract Expressionism, Schapiro provides an unparalleled account of Impressionism as a turning point in the history of modern art. Quarto. {9' x 10 & 1/2'} In lightly edgeworn jacket. Tightly bound. Slightly leaning spine. Ochre cloth covered boards with White & Black lettering on spine edge. Jacket illustration detail from Gustave Caillebotte, The Man at the Window, 1876, oil on canvass. [359 pages]
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Seller's Description:
UsedVeryGood. Oversize hardcover; stated first edition; light fading and shelf wear to ex terior; otherwise in very good condition with clean text, firm binding. Dus t jacket shows light scuffing and shelf wear.
