The book takes as its starting point a small group of illuminated manuscripts made in Byzantium in the tenth to thirteenth centuries. These are fully illustrated here for the first time, and described in detail. This material provides the opportunity to discuss fundamental questions about the way all artist of this period worked and were trained, and what their intentions and expectations were. The study moves from a brief theoretical introduction, explaining the choice of material, to a preliminary overview of the group. ...
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The book takes as its starting point a small group of illuminated manuscripts made in Byzantium in the tenth to thirteenth centuries. These are fully illustrated here for the first time, and described in detail. This material provides the opportunity to discuss fundamental questions about the way all artist of this period worked and were trained, and what their intentions and expectations were. The study moves from a brief theoretical introduction, explaining the choice of material, to a preliminary overview of the group. Each manuscript is then discussed in detail, in an attempt to show how and why it has come to look the way it does. Analysis then proceeds in an ever-widening spiral, moving from the individual manuscripts, to the relationship within the group, to possible connections with art from the West to the Christian Orient, from the Early Christian period to the fourteenth century, and, finally, to the possibility of lost material unlike that which survives. This broad survey raises crucial questions about how artists knew what to paint and how we should approach the material left for study. The answers proposed here, in emphasizing the importance of an artist's workshop training, the evidence for artistic originality, and the necessity to build hypotheses on the basis of surviving material, represent an approach to manuscripts which can be broadly applied. The originality of the artist and the uniqueness of the work of art (concepts often assumed to be unimportant before the Renaissance) are revealed here, not merely in the manuscripts of the group but throughout the Byzantine world and beyond its frontiers.
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Add this copy of Illuminated Prophet Books: a Study of Byzantine to cart. $24.20, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1990 by Penn State University Press.
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Add this copy of Illuminated Prophet Books: a Study of Byzantine to cart. $25.00, very good condition, Sold by Adkins Books rated 5.0 out of 5 stars, ships from Chattanooga, TN, UNITED STATES, published 1990 by Penn State University Press.
Add this copy of Illuminated Prophet Books a Study of Byzantine to cart. $32.00, very good condition, Sold by Michener & Rutledge Bookseller rated 5.0 out of 5 stars, ships from Baldwin City, KS, UNITED STATES, published 1990 by Penn State University Press.
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Very Good in Very Good dust jacket. 9780271006048. Text clean and tight; NOTE: additional postge may be necessary for international shipping; 8vo 8"-9" tall; 230 pages.
Add this copy of Illuminated Prophet Books: a Study of Byzantine to cart. $40.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 1990 by Penn State University Press.
Add this copy of Illuminated Prophet Books: a Study of Byzantine to cart. $56.58, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1990 by Penn State University Press.
Add this copy of Illuminated Prophet Books: a Study of Byzantine to cart. $125.00, very good condition, Sold by Expatriate Bookshop rated 5.0 out of 5 stars, ships from Svendborg, DENMARK, published 1988 by Pennsylvania State Univ..