The fourth volume of Timpani's series of orchestral works by Iannis Xenakis presents four works from three distinct periods, though not in chronological order. Erikhthon for piano and orchestra (1974) is one of the "arborescent" or branch-like compositions from Xenakis' middle phase. Expanding and contracting through criss-crossing glissandi and bending clusters, the extremely loud and aggressive orchestra overwhelms the impossibly dense and struggling piano part; in this role reversal, Erikhthon may be regarded as the ...
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The fourth volume of Timpani's series of orchestral works by Iannis Xenakis presents four works from three distinct periods, though not in chronological order. Erikhthon for piano and orchestra (1974) is one of the "arborescent" or branch-like compositions from Xenakis' middle phase. Expanding and contracting through criss-crossing glissandi and bending clusters, the extremely loud and aggressive orchestra overwhelms the impossibly dense and struggling piano part; in this role reversal, Erikhthon may be regarded as the absolute antithesis of the conventional piano concerto. Ata (1987) is a late work, contrapuntal in nature but with the difference that the polyphonic lines are all tightly bunched in clusters; it also features a sly reference to Stravinsky's Le Sacre du printemps, which is unexpected and hilarious. Akrata for 16 instruments (1964-1965) is the earliest work; in its exploration of long durations and rhythmic "granulations" of pitch, it reflects the mathematical theories that occupied...
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Seller's Description:
Very Good. Size: 5x0x4; Volume 4; minor bend to rear cover art; otherwise, jewel case and booklet (in English, German & French) are in excellent condition; disc is mint; because we care that your order arrives in the condition stated, we have additionally sealed the case in bubblewrap for added protection during shipment.