JoAnn Falletta and the Ulster Orchestra present a diverse program of lesser known works by Gustav Holst, the composer of the perennially popular suite The Planets. Holst's music was informed early on by the late Romantics, and traces of Johannes Brahms can be plainly heard in the Walt Whitman Overture, which Holst composed at college when he was still searching for a personal style. The Symphony in F major, "The Cotswolds," was a major step forward in developing a distinctive voice, and though it partakes of conventions in ...
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JoAnn Falletta and the Ulster Orchestra present a diverse program of lesser known works by Gustav Holst, the composer of the perennially popular suite The Planets. Holst's music was informed early on by the late Romantics, and traces of Johannes Brahms can be plainly heard in the Walt Whitman Overture, which Holst composed at college when he was still searching for a personal style. The Symphony in F major, "The Cotswolds," was a major step forward in developing a distinctive voice, and though it partakes of conventions in British symphonic writing, it shows a growing awareness of folk music's potential in his work. A Winter Idyll, influenced by Holst's teacher, Charles Villiers Stanford, shows much the same tentative exploration of the Walt Whitman Overture. But there is a pronounced change in flavor and mood in the Japanese Suite and the symphonic poem, Indra, which show Holst's adoption of impressionist harmonies and atmospheric orchestration, as well as a turning away from purely German influences...
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