In this Carus release, Frieder Bernius leads soloists from Kammerchor Stuttgart in a selection of transcriptions by Clytus Gottwald and original compositions for chorus subdivided into multiple parts, in this case, up to 16 parts. The arrangements, here of songs originally for solo voice and piano, demonstrate Gottwald's mastery of this niche genre; he has also made remarkably effective choral transcriptions of chamber music and work for full orchestra. The arrangements, of songs by Ravel, Debussy, and Schumann, work ...
Read More
In this Carus release, Frieder Bernius leads soloists from Kammerchor Stuttgart in a selection of transcriptions by Clytus Gottwald and original compositions for chorus subdivided into multiple parts, in this case, up to 16 parts. The arrangements, here of songs originally for solo voice and piano, demonstrate Gottwald's mastery of this niche genre; he has also made remarkably effective choral transcriptions of chamber music and work for full orchestra. The arrangements, of songs by Ravel, Debussy, and Schumann, work beautifully as choral music, even as independent compositions, considered apart from their sources. The CD's featured work is the world-premiere recording of a Mass for 16 voices by Carl Friedrich Christian Fasch, a German composer born 20 years earlier than Mozart. It's an attractive but unexceptional example of Classical conventions, but stands out for the complexity of the Baroque-style counterpoint that Fasch incorporates into the Classical sensibility. Jean-Yves Daniel-Lesur's...
Read Less