History of the Origin and Progress of the Meeting of the Three Choirs of Gloucester, Worcester, and Hereford, and of the Charity Connected with It: To Which Is Prefixed, a View of the Condition of the Parochial Clergy of This Kingdom, from the
History of the Origin and Progress of the Meeting of the Three Choirs of Gloucester, Worcester, and Hereford, and of the Charity Connected with It: To Which Is Prefixed, a View of the Condition of the Parochial Clergy of This Kingdom, from the
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1812 Excerpt: ... Worcester, in 1803, Judas Macca-Worcesbeus was performed on the Tuesday even-TER, l8 iug (Sept. 27): Creation on Wednesday morning; Miscellaneous Concerts on that and the following evening, and The Messiah Thursday morning. The principal vocal performers were, Mrs. Billington, Miss Tennant, Miss Cantelo, who played ...
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1812 Excerpt: ... Worcester, in 1803, Judas Macca-Worcesbeus was performed on the Tuesday even-TER, l8 iug (Sept. 27): Creation on Wednesday morning; Miscellaneous Concerts on that and the following evening, and The Messiah Thursday morning. The principal vocal performers were, Mrs. Billington, Miss Tennant, Miss Cantelo, who played also on the pedal harp; Miss Clarke; Mrs. Russell (late Miss Radcliffe); Miss Fanny Miss Ross Melville, then a juvenile performer, RwsMd(who acquired so much credit by her performance at the last Meeting at Gloucester, ) announced as "from Barr Chapel, near Birmingham, being her first appearance in public;" Mr. Incledon, a well-Mr. inknown and popular theatrical singer, cUdon(being his only appearance at the Meeting of the Three Choirs) j Harrisori; W. Knyvett, and Bartleman. The instrumental performers are thus described in the advertisement, F. Cramer, leader; Clarke, Morel t, Ashley, and Coder, violins; Parke and Cantelo, hautboys; Jackson, flute;-Marshall, viola; R. Lindley, violoncello;-Holmes, bassoon; W. Mahon, clarionet; Jenkinson, double-bassoon: Boyce and Philpot, double-basses; Hyde and Cantelo, trumpets; Messrs. Leanders, horns; Flack, Dressier, and Swingman, trombones; Jenkinson, double-drum; Shepherd, single-drum; Coyle, grand pianoforte; Mutlow, organ. The surplus this year was 74/. 13s. 4c/. laid out in the purchase of 127/. Is. lOd. stock. Here-At Hereford, in 1804, Samson was per 1804.' formed on the Wednesday evening; The Messiah on Friday morning; the other performances were Miscellaneous. The principal singers were, Mrs. Billington, Miss Tennant; Messrs. Harrison; W. Knyvett, and Bartleman. Mr. Cramer led the band. In addition to the names of the preceding year, those of Evans, Sturge, Tomlins, and Jung, appear in th...
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All Editions of History of the Origin and Progress of the Meeting of the Three Choirs of Gloucester, Worcester, and Hereford, and of the Charity Connected with It: To Which Is Prefixed, a View of the Condition of the Parochial Clergy of This Kingdom, from the
