A gloriously playful retake of the biographies of Shakespeare and Marlowe. Working with hard facts and a healthy dose of conjecture, History Play questions the purpose of biography in a stunning narrative of the imagination.'About anyone so great as Shakespeare, it is probable that we can never be right; and if we can never be right, it is better that we should from time to time change our way of being wrong.' T. S. EliotMark Twain likened writing the biography of Shakespeare to reconstructing the skeleton of a brontosaurus ...
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A gloriously playful retake of the biographies of Shakespeare and Marlowe. Working with hard facts and a healthy dose of conjecture, History Play questions the purpose of biography in a stunning narrative of the imagination.'About anyone so great as Shakespeare, it is probable that we can never be right; and if we can never be right, it is better that we should from time to time change our way of being wrong.' T. S. EliotMark Twain likened writing the biography of Shakespeare to reconstructing the skeleton of a brontosaurus -- using 'nine bones and six hundred barrels of plaster of Paris'. We work with a handful of facts and a pile of conjecture. All biographies of Shakespeare, from the wayward to the academic, use the same few-score hard facts kneaded together with legend, then leavened by a dash of zeitgeist and a large dollop of author's imagination.
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