Dmitri Hvorostovsky's recital of operatic arias spans the French, German, and Italian repertoire, with about half the selections coming from Russian works. The combination of familiar and unfamiliar arias and the variety of moods that they express are strong testimony to Hvorostovsky's versatility and mastery of a variety of idioms. His voice is exceptionally dark and richly loamy, with a wonderfully full bottom, which makes him fully secure in the bass roles, such as Boris. Throughout his range, he has a sheen that also ...
Read More
Dmitri Hvorostovsky's recital of operatic arias spans the French, German, and Italian repertoire, with about half the selections coming from Russian works. The combination of familiar and unfamiliar arias and the variety of moods that they express are strong testimony to Hvorostovsky's versatility and mastery of a variety of idioms. His voice is exceptionally dark and richly loamy, with a wonderfully full bottom, which makes him fully secure in the bass roles, such as Boris. Throughout his range, he has a sheen that also serves him well in the less heavy selections, like the Pagliacci Prologue and "Avant de quitter ces lieux," and it's a pleasure to hear him bring his heft to the Toréador song and Scarpia's Te Deum. It's in the weightier roles, though, that Hvorostovsky makes the strongest impact. Except for the excerpts from Boris and Prince Igor, the Russian selections are fairly obscure, especially the aria from Rubinstein's Nero. The aria from Nero, which has rarely been recorded by modern singers,...
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
