In 2016, multichannel recording is regarded by classical listeners as state of the art, and some of the finest recordings available have been released in the hybrid SACD format. In 1970, quadraphonic recording was the most advanced technology, and Philips was one of the leading labels developing the process, as shown by this historic recording of Henry Purcell's Dido and Aeneas. This early English opera may not seem like a practical demonstration piece for showing off the depth, wide frequency range, and clarity of Philips' ...
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In 2016, multichannel recording is regarded by classical listeners as state of the art, and some of the finest recordings available have been released in the hybrid SACD format. In 1970, quadraphonic recording was the most advanced technology, and Philips was one of the leading labels developing the process, as shown by this historic recording of Henry Purcell's Dido and Aeneas. This early English opera may not seem like a practical demonstration piece for showing off the depth, wide frequency range, and clarity of Philips' quadraphonic recording, or, for that matter, PentaTone's multichannel remastering, considering the rather monochrome sound of strings and continuo. However, Colin Davis and the Academy of St Martin in the Fields delivered Dido and Aeneas with extraordinary energy and precision, and the cast -- featuring Josephine Veasey as Dido, John Shirley-Quirk as Aeneas, and Helen Donath as Belinda -- sang with crisp diction, beautiful tone, and powerful presence. The spaciousness of the...
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