Henry Irving's Waterloo: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, Assorted Ghosts, Old Men, War, and History
Henry Irving's Waterloo: Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, Assorted Ghosts, Old Men, War, and History
"This is an extraordinary, provocative, and informative book which covers a wide range of aspects of the theatre of the time and touches upon a large number of individual artists and personalities. The book locates a theatrical phenomenon in the larger culture, drawing upon documents around and beyond the theatre itself. It will shake up complacent scholars, generate a new methodological freedom, and open up a whole period to sophisticated and creative cultural analysis."--Cary M. Mazer, author of "Shakespeare Refashioned" ...
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"This is an extraordinary, provocative, and informative book which covers a wide range of aspects of the theatre of the time and touches upon a large number of individual artists and personalities. The book locates a theatrical phenomenon in the larger culture, drawing upon documents around and beyond the theatre itself. It will shake up complacent scholars, generate a new methodological freedom, and open up a whole period to sophisticated and creative cultural analysis."--Cary M. Mazer, author of "Shakespeare Refashioned" "W. D. King has developed an original close-reading of a particular (and only apparently marginal) episode of theatrical history and has placed that episode within a network of crucial cultural issues and values. The book is original in methodology, elegant in its argument, and persuasive in its conclusions."--Joseph R. Roach, author of "The Player's Passion"
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