Coming Up was every bit the triumphant comeback Brett Anderson and company were expecting, and it was a terrific little record, but it did suggest that Suede had begun to reach the limits of Ed Buller's production ideas, while also feeling a little superficial. The very fact that its sequel was produced by Steve Osborne, the man behind classics LPs from New Order and Happy Mondays, suggested they were returning to the dark undercurrents of their first two records, yet, Head Music is Coming Up, Pt. 2. Working with Osborne ...
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Coming Up was every bit the triumphant comeback Brett Anderson and company were expecting, and it was a terrific little record, but it did suggest that Suede had begun to reach the limits of Ed Buller's production ideas, while also feeling a little superficial. The very fact that its sequel was produced by Steve Osborne, the man behind classics LPs from New Order and Happy Mondays, suggested they were returning to the dark undercurrents of their first two records, yet, Head Music is Coming Up, Pt. 2. Working with Osborne has added some vague elements of electronic and dance music to Suede's signature sound, but these primarily manifest themselves in the form of gurgling analog synths and canned, old-school drum machines. Essentially, they're just window-dressing, since the songs themselves are extensions of the glam flash of Coming Up. While that hardly qualifies as an artistic progression, it hardly qualifies as a bad album, either, and they've never sounded quite as unself-conscious as they do here. Suede even gets downright silly at times, whether it's the goofy puns of the title track or the ridiculously intoxicating stomp "Elephant Man." It's hard not to miss early Suede -- the psychedelic "Indian Springs" comes close to capturing the feel, but it's bright, not menacing, and the ballads are pretty, not majestic -- but even in this streamlined incarnation, nobody does this kind of trash pop as alluringly as Suede. Nobody can turn out a single as thrilling as "Electricity," nobody can grind out sex 'n' drugs anthems as electrifying as "Can't Get Enough," or swoon as fetchingly as "She's in Fashion." When it comes down to it, nobody makes cheap sleaze sound so alluring. [Edsel's 2011 reissue of Head Music expands the 1999 album to a two-CD/one-DVD set. The first CD contains a remastered version of the album expanded by demos for "Indian Strings," "Everything Will Flow," "He's Gone," and "She's in Fashion, while the second disc rounds up the album's 16 B-sides and adds three extra tracks to the mix: "Poor Little Rich Girl," "Heroin," and the previously unreleased "Music Like Sex. The DVD contains music videos for the albums four singles, including two versions of "Can't Get Enough," two bonus videos documenting the recording of Head Music and "Black Sessions" from Paris, then a live-in-the-studio version of the album from April 1999, all capped off by new interviews with Brett Anderson, Richard Oakes, and Neil Codling.] ~ Stephen Thomas Erlewine, Rovi
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