This book opens up the field of literary studies to the promise of a haptic oriented analysis. This book contends that the haptic sense - combining touch, kinaesthesis and proprioception - was first fully conceptualised and explored in the modernist period, in response to radical new bodily experiences brought about by scientific, technological and psychological change. How does the body's sense of its own movement shift when confronted with modernist film? How might travel by motorcar disorientate one sufficiently to bring ...
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This book opens up the field of literary studies to the promise of a haptic oriented analysis. This book contends that the haptic sense - combining touch, kinaesthesis and proprioception - was first fully conceptualised and explored in the modernist period, in response to radical new bodily experiences brought about by scientific, technological and psychological change. How does the body's sense of its own movement shift when confronted with modernist film? How might travel by motorcar disorientate one sufficiently to bring about an existential crisis? If the body is made of divisible atoms, what work can it do to slow the fleeting moment of modernist life? The answers to all these questions and many more can be found in the work of four major writers of the modernist canon - James Joyce, Virginia Woolf, D. H. Lawrence and Dorothy Richardson. They suggest that haptic experience is at the heart of existence in the early twentieth century, and each displays a fascination with the elusive sense of touch. Yet these writers go further, undertaking formal experiments which enable their own writing to provoke a haptic response in their readers. By defining the haptic, and by looking at its role in the work of these major names of modernist writing, this book opens up the field of literary studies to the promise of a haptic oriented analysis, identifying a rich seam of literary work we can call 'haptic modernism'. It offers a coherent history of ideas of the haptic, tracing their impact on literary innovation. It analyses the transformations of haptic experience in the modernist period, and its roots in developments in mechanised transport, the cinema, contemporary science and the rapidly modernising city. It provides in depth studies of the work of Joyce, Woolf, Lawrence and Richardson from a new, haptic oriented perspective, shedding new light on familiar figures of the modernist avant garde. It also puts literary experiments with the haptic in the context of work on touch in other fields.
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Add this copy of Haptic Modernism: Touch and the Tactile in Modernist to cart. $25.54, new condition, Sold by GreatBookPricesUK5 rated 4.0 out of 5 stars, ships from Castle Donington, DERBYSHIRE, UNITED KINGDOM, published 2015 by Edinburgh University Press.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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New. How does the body's sense of its own movement shift when confronted with modernist film? How might travel by motorcar disorientate one sufficiently to bring about an existential crisis? This book offers a coherent history of ideas of the haptic, tracing their impact on literary innovation. Num Pages: 256 pages. BIC Classification: 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 157 x 16. Weight in Grams: 350. 2015. Reprint. Paperback.....We ship daily from our Bookshop.
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New. Contains: Illustrations. Includes illustrations. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.