A multifaceted interpretation of Richter's career as a filmmaker, artist, and writer, examining his pioneering work --with a special emphasis on film--in the context of his collaborations with some of the most important figures in 20th-century art. Hans Richter was a central figure in the avant-garde for more than 50 years. Born in Berlin in 1888, he joined the Zurich Dada group in 1916 and within a few years was producing some of the first abstract films ever created. In the 1930s he made commercial and propaganda films ...
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A multifaceted interpretation of Richter's career as a filmmaker, artist, and writer, examining his pioneering work --with a special emphasis on film--in the context of his collaborations with some of the most important figures in 20th-century art. Hans Richter was a central figure in the avant-garde for more than 50 years. Born in Berlin in 1888, he joined the Zurich Dada group in 1916 and within a few years was producing some of the first abstract films ever created. In the 1930s he made commercial and propaganda films for both communist and capitalist interests--a phase of his career that has been, until now, little examined. After moving to the United States in 1940, Richter taught at the City College of New York, serving as a mentor to numerous participants in the New American Cinema movement. He worked alongside a virtual "Who's Who" of the avant-garde, including Arp, Bowles, Cage, Calder, Cocteau, Duchamp, Eisenstein, Ernst, Leger, Lissitzky, Malevich, Mies van der Rohe, Schwitters, and Tzara. This book examines the ways in which these "encounters"--to use Richter's own term--with other artists engendered creativity, originality, and meaning throughout his career. Including a chronology and Richter's first complete filmography in English, this volume sheds light on the relationships between modernism's most experimental artists, movements, and generations.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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VG (Boards are lightly edgeworn/scuffed; textblock is lightly worn/smudged; interior is clean; binding is solid. ) Photo boards with red cloth spine, 224 pp., 180 color plates. Considers the legacy of German artist and filmmaker Hans Richter (1888-1976). "Examines the ways in which [his] "encounters"--to use Richter's own term--with other artists engendered creativity, originality, and meaning throughout his career. Including a chronology and Richter's first complete filmography in English, this volume sheds light on the relationships between modernism's most experimental artists, movements, and generations." (pub. ) With essays by Timothy O. Benson, Frauke Josenhans, Doris Berger, Philippe-Alain Michaud, Yvonne Zimmermann, Edward Dimendberg and Michael White.
