This recording of Messiah by the Dunedin Consort is based on a reconstruction of the original version premiered in Dublin in 1742. The Dublin version is rarely performed because the composer had simplified parts in deference to the vocal limitations of some of the local soloists, because it is not as complete as later versions of the score and because revisions Handel made after the first performance have become standard. This recording also seeks to duplicate the original performing forces as authentically as possible by ...
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This recording of Messiah by the Dunedin Consort is based on a reconstruction of the original version premiered in Dublin in 1742. The Dublin version is rarely performed because the composer had simplified parts in deference to the vocal limitations of some of the local soloists, because it is not as complete as later versions of the score and because revisions Handel made after the first performance have become standard. This recording also seeks to duplicate the original performing forces as authentically as possible by having the soloists perform the choruses, as well, using a total of only 12 singers. The result is remarkably and refreshingly intimate. In spite of the modesty of scale, conductor John Butt leads a reading that never sounds small or limited; the performers convey the full extent of the work's wide emotional range. The size of the chorus allows for an unusually light touch in the movements requiring choral coloratura, and the Dunedin Consort responds nimbly. The soloists are all of...
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