EMI's 2009 recording of Messiah with the Choir of King's College, Cambridge, led by Stephen Cleobury, marks three anniversaries: the 250th anniversary of Handel's death, the founding of the University of Cambridge 800 years ago, and the death 80 years ago of Arthur Henry Mann. The last two are significant because Mann, as early as 1894, had led the Choir of King's College, Cambridge, in the first "modern" performance of Messiah shorn of the gigantism that had begun to overtake the oratorio soon after the composer's death, ...
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EMI's 2009 recording of Messiah with the Choir of King's College, Cambridge, led by Stephen Cleobury, marks three anniversaries: the 250th anniversary of Handel's death, the founding of the University of Cambridge 800 years ago, and the death 80 years ago of Arthur Henry Mann. The last two are significant because Mann, as early as 1894, had led the Choir of King's College, Cambridge, in the first "modern" performance of Messiah shorn of the gigantism that had begun to overtake the oratorio soon after the composer's death, with greatly expanded orchestration and the use of gargantuan choral forces. (One notorious Victorian performance included 3,500 performers, 3,000 in the chorus and an orchestra of 500.) Mann's attempts to replicate the modest performing forces of Handel's time predated the ascendancy of the movement highlighting period performance practice by near three-quarters of a century.Cleobury's reading of the score is modest and self-effacing, with no bells and whistles, letting the music...
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