Jephtha (1752) was George Frederick Handel's final oratorio, and it was composed during a period of incipient blindness and declining health. Yet the composer's artistic powers were undiminished in this dramatization of the Biblical story, for the arias and choruses are as memorable as any from Handel's earlier works in the genre, including Messiah and Israel in Egypt. This 2008 recording by Fabio Biondi, the Collegium Vocale Ghent, and the Stavanger Symphony Orchestra is a brilliant period presentation, and the spry ...
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Jephtha (1752) was George Frederick Handel's final oratorio, and it was composed during a period of incipient blindness and declining health. Yet the composer's artistic powers were undiminished in this dramatization of the Biblical story, for the arias and choruses are as memorable as any from Handel's earlier works in the genre, including Messiah and Israel in Egypt. This 2008 recording by Fabio Biondi, the Collegium Vocale Ghent, and the Stavanger Symphony Orchestra is a brilliant period presentation, and the spry rhythms, lean counterpoint, clear textures, and distinctive colors of original instruments combine to make this an especially enjoyable performance of a fairly neglected masterpiece. While the account of Jephtha's rash vow to God and subsequent sacrifice of his daughter is one of the most tragic episodes in the Bible, the story was altered here to have a happy ending, so much of the score is filled with joyous and exultent music, and the ensemble is quite upbeat. The vocal soloists offer...
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