This book explores the ongoing enchantment of much-loved stop-frame children's television programming of the 1960s and 1970s. Hand-Made Television analyses programmes in the social and historical contexts of their production, examining the power of their hand-made aesthetics and relationship to the world of children's play.
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This book explores the ongoing enchantment of much-loved stop-frame children's television programming of the 1960s and 1970s. Hand-Made Television analyses programmes in the social and historical contexts of their production, examining the power of their hand-made aesthetics and relationship to the world of children's play.
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