The first volume of Great Bird Paintings includes pictures painted in oils or water-colours before 1699. For centuries, Western art was tied to the discipline of the Roman Catholic Church. Symbolic birds appeared in many renaissance religious paintings. Delicate preparatory water-colour sketches were made for these. Artists who wished to paint birds, shrewdly chose scenes of the animals entering Noah's Ark and the Garden of Eden, which gave them the legitimate excuse to introduce birds. By the end of the sixteenth century, ...
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The first volume of Great Bird Paintings includes pictures painted in oils or water-colours before 1699. For centuries, Western art was tied to the discipline of the Roman Catholic Church. Symbolic birds appeared in many renaissance religious paintings. Delicate preparatory water-colour sketches were made for these. Artists who wished to paint birds, shrewdly chose scenes of the animals entering Noah's Ark and the Garden of Eden, which gave them the legitimate excuse to introduce birds. By the end of the sixteenth century, the artists had altered the balance and relegated the biblical scene to the background, with the birds claiming full attention in the foreground. In the mid-seventeenth century they were free of clerical demands and in the Golden Age of Dutch and Flemish painting they produced hundreds of very fine canvases full of delightful birds. At long last, they could fully indulge their delight in painting the beauty of colour and form of the birds that gave them so much pleasure.
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Seller's Description:
Very good. "The first volume of Great Bird Paintings includes pictures painted in oils or water-colours before 1699. For centuries, Western art was tied to the discipline of the Roman Catholic Church. Symbolic birds appeared in many renaissance religious paintings. Delicate preparatory water-colour sketches were made for these. Artists who wished to paint birds, shrewdly chose scenes of the animals entering Noah's Ark and the Garden of Eden, which gave them the legitimate excuse to introduce birds. By the end of the sixteenth century, the artists had altered the balance and relegated the biblical scene to the background, with the birds claiming full attention in the foreground. In the mid-seventeenth century they were free of clerical demands and in the Golden Age of Dutch and Flemish painting they produced hundreds of very fine canvases full of delightful birds. At long last, they could fully indulge their delight in painting the beauty of colour and form of the birds that gave them so much pleasure.
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Seller's Description:
Very good. Very clean volume 1 hardcover with jacket. no marks. clean text. solid binding. very light wear. ISBN matches listing FAST SHIPPING W/ CONFIRMATION. NO PRIORITY OR INTERNATIONAL ORDERS OVER 4LBs.
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Seller's Description:
Fine in As New jacket. 1993. Hardcover with dust jacket in fine condition. Minor shelf wear. The first volume in this series includes pictures painted in oils or watercolors before 1699. The author has traced the development of bird painting during this exciting period which produced artists such as Bosch, Durer, Holbein, Brueghel, Rubens, Rembrandt, and Leonardo. She describes the types of birds that were common, and the exotic birds being brought back to Europe by trading trips from newly colonized parts of America, Asia and South America.
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New. 1851491783. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--144 pages; many illustrations including 88 in color; 4to. --with a bonus offer--
