This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ...loud knock is heard on the door. Both start back and wait. The knocking is repeated. She throws off the shawl, places the bag in a corner and returning to the door, opens it. She greets the visitor in a strained voice, almost with a shriek. Uncle Williams! Step in, please. A man enters. The newcomer is ...
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ...loud knock is heard on the door. Both start back and wait. The knocking is repeated. She throws off the shawl, places the bag in a corner and returning to the door, opens it. She greets the visitor in a strained voice, almost with a shriek. Uncle Williams! Step in, please. A man enters. The newcomer is old, with white hair and beard. He is probably of Moorish descent. He is so small and weazened as to be almost a dwarf, but his whole demeanor indicates great latent power. A strong personality, dominating the two others from the first instant. Williams Good evenin', Lucy. He seems to be unaware of the presence of Madison. He comes forward with little mincing steps and an old man's gesture, then takes off his hat and sees about him. The others stand watching him, transfixed. Ain' you goin' shut de do', Lucy? I feels draf's. I'm gittin' old an' catches cold easy. Ain' you goin' take my hat? She reaches for it mechanically, watching him apprehensively. No, de hat--not de stick--ol' pu'son like me always need good stout stick er club case er havin' faintin' spell--sumpin' to lean on. Now, wheah a cheer, bettah fetch me er cheer fo' feah I might set on sumpin' you wouldn' choose fo' me. She obeys dumbly and brings a chair to him. Set it neareh. Dat's right. Now gimme youah shouldeh an' ease me down. Ah--He leans heavily on her and sinks totteringly into the chair with a great show of feebleness. Now take a cheer yo'se'f. I 'spize to see a lady standin' an' me takin' my res', old ez I is. She obeys, watching him with doubt and dread. Set it dah, wheah I can see you good. madison is standing up by the wall, right, gazing at him as though paralyzed with fear. Dah now. We kin be ca'm and have a nice talk. Does you know what business I come yere fo'...
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Seller's Description:
Good. Size: 8vo 8"-9" tall; Sturdy, attractive, tightly bound, internally clean hardcover copy, with bruised and scuffed tips and spine head and foot, neat and tidy paste-downs; not ex-library, with neither highlighting nor underlining. Sharp and distinct paper label affixed neatly to cover denoting the titles to the three "plays for a Negro theater." [3], 4-111 pp. including publisher's ads. Previous owner's inscriptions to final endpaper showing meeting time for play practice. Precious. The author was a white poet and playwrite who, in 1914, debuted his one-act play Granny Maumee, which was first performed by a white cast. It then helped to create opportunities for black actors in theaters in America when it was produced with black actors three years later. Previous owner's name inscribed at first free endpaper. Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
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Seller's Description:
Good in Missing jacket. The Macmillian Co., 1917; "Published September, 1917" stated, no additional printings indicated, same date on title page; [vi], 111pp., 6 pg. publisher's catalog. Good-hardcover, no dust jacket. Damp-staining, age-toning apparent on boards and spin; binding is tight, sturdy, and square; wear to board corners and edges; spine gutters and ends also worn, gilt title on spine partially obscured by toning and damp-stain spotting, otherwise remains legible; previous owner inscription on front end page, else text, very good throughout. Photos available upon request. From a private collection (NOT ex-library). Ships from Dinkytown in Minneapolis, Minnesota.