The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In "Gothicka", Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first century. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark ...
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The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In "Gothicka", Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first century. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of "The Shack"), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic - the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the "Twilight" and "Left Behind" series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in "The Da Vinci Code" and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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New. Trade paperback (US). Glued binding. 352 p. Contains: Illustrations, black & white. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. The Gothic has taken a revolutionary turn in this century. Today's Gothic has fashioned its monsters and devils into heroes and angels and is reviving supernaturalism in popular culture. The author argues that this mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like. Num Pages: 352 pages, black & white illustrations. BIC Classification: JFCA; VXQ. Category: (G) General (US: Trade). Dimension: 155 x 236 x 23. Weight in Grams: 398. 2013. Paperback.....We ship daily from our Bookshop.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Good in Good jacket. Hardcover. 8vo. Signed First edition. Hardcover with dust jacket. 8vo with 333 pages. Signed on the title page, " For Nick Harris w best wishes..." The book and DJ are in good condition with some shelf wear and minor foxing to top. One large dent on bottom edge of book with damage to both bottom edges. Interior is clean and tight. Grey spine with white text.