Although classical recordings, particularly those of orchestral music, are expensive to make and usually have only the faintest hope of generating enough unit movement to pay the studio bill, some don't really get a fair shot at finding an audience before the delete sheet arrives to reclaim them. Gisčle Ben-Dor's 1997 recording of the complete scores of Alberto Ginastera's first two ballets Panambí and Estancia with the London Symphony Orchestra are a good example of this; issued on Conifer Classics in 1998, the disc was ...
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Although classical recordings, particularly those of orchestral music, are expensive to make and usually have only the faintest hope of generating enough unit movement to pay the studio bill, some don't really get a fair shot at finding an audience before the delete sheet arrives to reclaim them. Gisčle Ben-Dor's 1997 recording of the complete scores of Alberto Ginastera's first two ballets Panambí and Estancia with the London Symphony Orchestra are a good example of this; issued on Conifer Classics in 1998, the disc was barely in the catalog a year before BMG pulled the plug on its classical division, which essentially rang the death knell for Conifer. Nearly a decade later, Naxos rights this wrong by making this performance available once again in its Latin American Classics Series.Both Panambí and Estancia are better known in their incarnations as concert suites; the concert suite for Estancia is probably the best-known orchestral work of Ginastera overall. This is the first recording made of...
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BRAND NEW FACTORY SEALED PLEASE NOTE: *** Digital Code may not work or missing. There is no guarantee you will receive a valid digital code with this item. ***
