In a new and challenging approach to the collaborators and their operas, this book demonstrates that Gilbert's libretti have a significant autobiographical content that Freudian theories can elucidate. It also analyzes Sullivan's musical personality, pointing to the differences and difficulties of this creative partnership. Illustrated.
Read More
In a new and challenging approach to the collaborators and their operas, this book demonstrates that Gilbert's libretti have a significant autobiographical content that Freudian theories can elucidate. It also analyzes Sullivan's musical personality, pointing to the differences and difficulties of this creative partnership. Illustrated.
Read Less