Arguably the pre-eminent European sculptor of his age, but historically considered little more than the facile court sculptor to the grand dukes of Florence, Giambologna played a major role in the artistic transformations of the late 16th century. Mary Weitzel Gibbons seeks to broaden our hitherto limited view of Giambologna's work by considering his neglected Genoese masterpiece, the Grimaldi Chapel. Although the chapel itself was destroyed during the Napoleonic period, its dazzling bronzes of Virtues and angel-putti and a ...
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Arguably the pre-eminent European sculptor of his age, but historically considered little more than the facile court sculptor to the grand dukes of Florence, Giambologna played a major role in the artistic transformations of the late 16th century. Mary Weitzel Gibbons seeks to broaden our hitherto limited view of Giambologna's work by considering his neglected Genoese masterpiece, the Grimaldi Chapel. Although the chapel itself was destroyed during the Napoleonic period, its dazzling bronzes of Virtues and angel-putti and a Passion cycle in relief have survived. The fine detail and rich colour of the bronzes are featured in colour plates and black-and-white images photographed especially for this book. Gibbons reassesses Giambologna's work, clearly defining his relation to the narrative tradition and his role as an artist of the Catholic Reformation. Her insights into the artist's work should appeal to all those intrigued by this turbulent era in Western European history.
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Seller's Description:
Fine in very good dust jacket. No markings. Binding tight. Jacket has a touch of shelving wear. Nice copy. Cloth over boards. 280 p. Contains: Unspecified. California Studies in the History of Art. Includes Unspecified. Audience: Professional and scholarly.
