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Seller's Description:
Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Within a matter of days of the conclusion of the Battle of Gettysburg (July 1 -- July 3, 1863) photographers were on the scene to capture the Battlefield and its participants. These photographers included Alexander Gardner of Philadelphia, who began photographing the Battlefield on July 7 or 8, 1863, the famous Matthew Brady, the Tyson Brothers, portrait photographers who lived in Gettysburg, and others. Their photographs were arranged in series and sold in various formats to the American public which was eager to learn about the War.
Over the years, the photographs have been misidentified, placed out of sequence and, in some instances, forgotten. William Frassinto's "Gettyburg, a Journey in Time" (1975) was among the first books to recapture this photographic legacy, to study the scenes and the makers of the pictures, and to organize his material in a book for the modern reader. Mr. Frassinto has since published a number of sequels to this initial book as well as a study of photographers at Antietam.
The book consists of approximately 100 photographs, most of them dating from shortly after the battle in July, 1863 through 1866. There are also a number of photographs that Mr. Frassanito himself took dating from the late 1960s and early 1970s. These photos allow the reader to compare the original scenes with the current state of the Gettysburg Battlefield.
After a short discussion giving biographical information on the photographers and information on their visits to Gettysburg, Mr Frassanito presents and discusses the photographs themselves. His presentation is arranged in six groups: 1. the first day's battle (north and west of the town); 2. Cemetery Hill; 3. Culp's Hill; 4. Cemetery Ridge; 5. Little Round Top and Devil's Den; 6. the Rose Farm.
Mr. Frassanito introduces each group with a short description of the significance of the site. He then discusses each picture in detail, explaining when it was taken, what it shows, and its importance to the Battle of Gettysburg. The photographs are themselves eloquent and compelling and their effect is heightened by Mr Frassanito's commentary. I came away understanding the first day's battle and the fighting on Culp's Hill and Cemetery Hill on the Union right much better as a result of Mr. Frassanito's account and the photographs.
The most famous photographs in the book are probably those of the dead soldiers (in a few cases the photos were taken of live soldiers posing as dead for the photographers) on Little Round Top and on the Rose Farm. Most of these photographs were taken by Gardner because the dead were removed from the Battlefield relatively quickly after the battle. Gardner moved from south to north on the Battlefield and captured the few instances in which the dead had not yet been buried. The photos capture the terrible costs of the Battle.
Many of Gardner's photos have been erroneously identified over the years as originating from the first day's fighting on McPherson's ridge. Mr. Frassanito explains how he determined these photographs in fact originated on Rose Hill, on the southern part of the Battlefield. (The first day fighting was on the northernmost part of the Battlefield.) Yet misidentifications die hard. I have seen books which postdate Mr. Frassanito's which continue to attribute these photographs to the first day of the fighting.
The photos and the text in this book will give the reader a good sense of the tragedy and cost of this seminal battle. Mr. Frassanito's book remains essential for those interested in seriously exploring the Battle of Gettysburg.
Robin Friedman
Gerry M
Mar 15, 2012
Gettysburg CW Photo's
I enjoyed the book. I liked how the new and modern photo's compared as well as the info on the scenes in each photograph.
