This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... CHAPTER XXI AUGSBURG HANS HOLBEIN THE ELDER THE rich city of Augsburg was not only the most important art centre in Swabia but was, in all Germany, second only to Nuremberg in its artistic fame and influence. Apparently art did not, however, develop so early there as in Cologne or Nuremberg, for no ...
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... CHAPTER XXI AUGSBURG HANS HOLBEIN THE ELDER THE rich city of Augsburg was not only the most important art centre in Swabia but was, in all Germany, second only to Nuremberg in its artistic fame and influence. Apparently art did not, however, develop so early there as in Cologne or Nuremberg, for no works remain to us from the fourteenth or even from the first half of the fifteenth century. To the second half of the fifteenth century belongs the painted ceiling which was taken from the guild room of the Weaver's House and is now in the National Museum Munich. It is signed with a jingle: "In fourteen fifty-seven it came, Peter Kaltenhof was the name Of the man who painted the same." The ceiling is divided into narrow sections in which Bible scenes are pictured, with explanatory inscriptions. The figures are small and crowded and the effect of the whole is not particularly decorative. It has been twice painted over; in 1538, by Jorg Breu and again, in 1601, by Johann Herzog, but can hardly have been of much artistic worth at any time. The first great master of painting in Augsburg was Hans Holbein the Elder, who was born about 1460 and whose name appears on the list of painters for the last time in 1524. It is probable that he came, first of all, under the influence of Bartholme Zeitblom of Ulm and then of Italian, particularly of Venetian, painters. Whether or not Holbein the Elder ever visited Venice we do not know, but there seems to be no reason why he should not have done so, as Augsburg, with the princely Fugger family at its head, was always in close intercourse with Italy, and a journey to the city which was the goal of all the German artists of the sixteenth century would not seem a very formidable undertaking. Venetian influence...
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Like New. Used-Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Small 4to, pp. 286. With four illustrations in color and 110 in monotone. Ex llibrary with pocket, stamps and bookplate. TEG. Brown cloth, stamped in gilt. A VG tight copy.