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Seller's Description:
Near Fine. 1971 Softcover 4to, 46pp. Profusely illustrated with b&w reproductions of Gavarni's Lithographs. Near fine with minor shelfwear. Contents are clean and unmarked.
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Seller's Description:
As New. 0894670093. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-AS NEW, THE TEXT BLOCK IS PRISTINE, CLEAN, UNMARKED, AND IN EXCELLENT CONDITION--48 pp. With one text ill. And 18 pls. 26 x 21 cm. --with a bonus offer--
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Seller's Description:
Like New. Size: 0x0x0; First Edition, First Printing. Hardly any sign of use with No Writing in text. Ships with tracking the same or next business day from New Haven, CT. We fully guarantee to ship the exact same item as listed and work hard to maintain our excellent customer service.
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Seller's Description:
Very Good. Book. Signed by Author(s) Inscribed by author (Olson). Cover has edge wear, minor creases, minor scratches, minor scuffs, small bent/rubbed cover/page corners, rubbed spine. No writing in text. Very good.
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Seller's Description:
VG (May have owner's name on title-page. ) Cream wraps with bw illus. and black lettering. 46 pp. Numerous bw plates. Catalogue from the exhibition of September to November 1979. Includes a lengthy essay, Gavarni and the Bal Masque, and the catalogue of 52 works. The annotations are in English with the quotes for each plate in both French and English. Lithographs from the series entitled, Carnaval. Costume balls had long been a major part of French carnivals but during the 1840's and 1850's these events reached their highest popularity. Gavarni was a regular at Paris's most prestigious balls and even designed many costumes for them. From 1839 to 1850 a number of his finest lithographic sets drew their subject matter from the costume ball. Gavarni's carnival lithographs gave him the opportunity to study his subjects in situations dominated by both intrigue and deception. Sexuality and sexual roles were also prime components with women dressed as men and men dressed as women. "The majority of Gavarni's carnival lithographs reflect his interest in the small groups that drift away from the crowd as a consequence of the romantic liaisons that preoccupied many of the participants at a masked ball." Such elements have made Gavarni's carnival lithographs among his finest and most famous works of art.
