Nearly 20 minutes of prime audio beatmulch, Booth and Brown's 2002 EP upload to fans of experimental techno rarely pauses for breath or stakes out a rhythm to call its own, but does show the duo relentlessly seeking to make music unlike any heard -- or imagined -- before. The title track is four minutes of DSP'ed, audio-processed near chaos, though head-nodding is occasionally possible (not recommended). Of the three, only "Cap IV" nods toward music instead of pure time signature and beat experimentation. [A bonus DVD adds ...
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Nearly 20 minutes of prime audio beatmulch, Booth and Brown's 2002 EP upload to fans of experimental techno rarely pauses for breath or stakes out a rhythm to call its own, but does show the duo relentlessly seeking to make music unlike any heard -- or imagined -- before. The title track is four minutes of DSP'ed, audio-processed near chaos, though head-nodding is occasionally possible (not recommended). Of the three, only "Cap IV" nods toward music instead of pure time signature and beat experimentation. [A bonus DVD adds Alexander Rutterford's impressive video of "Gantz_Graf" -- one that appears to expand the .wav file of the original into several new dimensions of polygonal space -- along with those for the older tracks "Bass Cadet" and "Second Bad Vilbel."] ~ John Bush, Rovi
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