Following the success of her 2012 sophomore effort, the slick if highly conceptual Electra Heart, Marina and the Diamonds' singer/songwriter Marina Diamandis eschewed the multi-producer/co-writer approach she took with that album, choosing instead to write all the music on her own and record with just one producer, Dave Kosten (Brooke Fraser, Bat for Lashes). The choice was a smart one, and Marina and the Diamonds' third studio album, 2015's Froot, is an atmospheric, sophisticated work that finds Diamandis coming into her ...
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Following the success of her 2012 sophomore effort, the slick if highly conceptual Electra Heart, Marina and the Diamonds' singer/songwriter Marina Diamandis eschewed the multi-producer/co-writer approach she took with that album, choosing instead to write all the music on her own and record with just one producer, Dave Kosten (Brooke Fraser, Bat for Lashes). The choice was a smart one, and Marina and the Diamonds' third studio album, 2015's Froot, is an atmospheric, sophisticated work that finds Diamandis coming into her own as an artist. Recorded with Kosten and a working band, Froot combines everything that was uniquely tantalizing, and pugnaciously feminist, about her debut, while also retaining just enough of the enthusiastic pop hooks and dance beats of Electra Heart to keep things from getting too serious -- and there is a lot of seriousness on Froot. Cuts like the shadowy "I'm a Ruin" and the languid "Immortal" are airy, introspective epics that recall the cinematic balladry of Annie Lennox. Even the propulsive and ultimately empowering "Forget" finds Diamandis cutting to the bone with confessions like, "Yeah, I've been dancing with the Devil. I love that he pretends to care." But Froot isn't all dark tones. On the contrary, Diamandis, never one to shy away from sugary high camp, imbues much of Froot with a fluorescent, celebratory independence, both musically and lyrically. Cuts like the crisp, '80s electro-infused "Savages," and the hip-swaying, new wave-sounding "Gold" juxtapose funky slap-and-pop basslines with shimmery synths, as Diamandis' headmistress of a voice (a husky Marlene Dietrich one minute, an operatic Kate Bush the next) soars above buoyant, pulsating rhythms. This sharply independent technique is perhaps best expressed on the fertile, tango-inflected title track, in which Diamandis revels in her newfound artistic and womanly freedom. She coos," I'm your carnal flower, I'm your bloody rose/Pick my petals off and make my heart explode/I'm your deadly nightshade, I'm your cherry tree/You're my one true love, I'm your destiny." Ultimately, with Froot, Diamandis has crafted an arch, swaggeringly impressive album that balances its pop sweetness with a deep-rooted maturity. ~ Matt Collar, Rovi
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Diamandis. Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
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Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
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