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From Nashville to Memphis: The Essential 60's Masters ()

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Track Listing
  1. Make Me Know It
  2. Soldier Boy
  3. Stuck on You
  4. Fame and Fortune
  5. A Mess of Blues
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  1. Make Me Know It
  2. Soldier Boy
  3. Stuck on You
  4. Fame and Fortune
  5. A Mess of Blues
  6. It Feels So Right
  7. Fever
  8. Like a Baby
  9. It's Now or Never
  10. The Girl of My Best Friend
  11. Dirty, Dirty Feeling
  12. Thrill of Your Love
  13. I Gotta Know
  14. Such a Night
  15. Are You Lonesome Tonight?
  16. Girl Next Door Went A'walking
  17. I Will Be Home Again
  18. Reconsider Baby
  19. Surrender
  20. I'm Comin' Home
  21. Gently
  22. In Your Arms
  23. Give Me the Right
  24. I Feel So Bad
  25. It's a Sin
  26. I Want You With Me
  27. There's Always Me
  28. Starting Today
  29. Sentimental Me
  30. Judy
  31. Put the Blame on Me
  32. Kiss Me Quick
  33. That's Someone You Never Forget
  34. I'm Yours
  35. (Marie's the Name) His Latest Flame
  36. Little Sister
  37. For the Millionth and the Last Time
  38. Good Luck Charm
  39. Anything That's Part of You
  40. I Met Her Today
  41. Night Rider
  42. Something Blue
  43. Gonna Get Back Home Somehow
  44. (Such An) Easy Question
  45. Fountain of Love
  46. Just for Old Time Sake
  47. You'll Be Gone
  48. I Feel That I've Known You Forever
  49. Just Tell Her Jim Said Hello
  50. Suspicion
  51. She's Not You
  52. Echoes of Love
  53. Please Don't Drag That String Around
  54. (You're The) Devil in Disguise
  55. Never Ending
  56. What Now, What Next, Where To?
  57. Witchcraft
  58. Finders Keepers, Losers Weepers
  59. Love Me Tonight
  60. (It's A) Long, Lonely Highway
  61. Mine
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Since The King of Rock 'n' Roll was the complete '50s masters, it was easy to assume that its five-disc '60s sequel, From Nashville to Memphis: The Essential 60's Masters, rounded up all the masters from that decade, which is simply not the case. The producers deliberately avoided the soundtracks to Elvis' movies, which perhaps makes sense, given that they are roundly and rightly disparaged as Presley's low point, which then opened the doors to presenting just what they judged as the best non-soundtrack recordings he made ...

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