Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed ...
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Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies. The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. Bruce Eder, Rovi
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Seller's Description:
Fair. An item with obvious and significant wear but is still operational. May have tears or holes in DVD box. The video game instructions and box may not be included. See the seller's listing for full details and description of any imperfections. The item has obvious and significant wear but is still operational. Item may arrive with damaged packing or be repacked. Signs of wear can include aesthetic issues such as scratches, dents, worn corners. The item may have identifying markings on it or show other signs fo previous use. Item may be missing some parts or accessories such as codes, inserts, or manuals.
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Seller's Description:
Fair. This item has very light surface scratches that do not affect the use of the disc/s. This is a USED item. Case and cover may or may not have wear or damage. All items unless otherwise noted will include disc, case, and artwork. Codes have been used. Other contents such as booklets may vary, please inquire for details. All items ship Monday-Friday within 2-3 business days.
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Seller's Description:
Michael Bates, Bernard Cribbins, Clive Swift, Vivien Merchant, Barbara Leigh-Hunt, Anna Massey, Billie Whitelaw, Barry Foster... Very good. 1972 Run time: 116. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Michael Bates, Bernard Cribbins, Clive Swift, Vivien Merchant, Barbara Leigh-Hunt, Anna Massey, Billie Whitelaw, Barry Foster... Very good. 1972 Run time: 116. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Michael Bates, Bernard Cribbins, Clive Swift, Vivien Merchant, Barbara Leigh-Hunt, Anna Massey, Billie Whitelaw, Barry Foster... Very good. 1972 Run time: 116. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Michael Bates, Bernard Cribbins, Clive Swift, Vivien Merchant, Barbara Leigh-Hunt, Anna Massey, Billie Whitelaw, Barry Foster... Very good. 1972 Run time: 116. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Jon Finch, Barry Foster, Barbara Leigh-Hunt, Anna Massey, Alec McCowen. Fine in fine packaging. Language: English. Run time: 120 mins. Aspect ratio: 1.85: 1. Originally released: 1972.
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Seller's Description:
Michael Bates, Bernard Cribbins, Clive Swift, Vivien Merchant, Barbara Leigh-Hunt, Anna Massey, Billie Whitelaw, Barry Foster... Very good. 1972 Run time: 116. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Jon Finch, Barry Foster. Very good. 1972 Run time: 116. Providing great media since 1972. All used discs are inspected and guaranteed. Digital copy/codes may be expired or not included. We ship orders daily and Customer Service is our top priority!
GOOD HITCHCOCK. A BIT ROUGH IN THE CONTINUITY - BUT WORTH THE EXPERIENCE. GOOD EARLY MC GOWEN
Rickster
Jun 3, 2010
Chilling!
We found the movie humorous with the Inspector and his wife, and chilling with the arm falling out of the fruit truck on the highway.
Jetman
Jun 18, 2009
Diffrent Hitchcock movie.
You should be warned that "Frenzy" has one of the most gruesome rape/murder scenes ever filmed - beautifully filmed, of course, so that you don't look away, but that makes it all the more terrible. It's followed by one of Hitchcock's great signature shots, as the camera draws back, out of the building, into the crowded and noisy streets, where the scene of the crime becomes just one room among many. That's "Frenzy" for you. It's one of Hitchcock's most assured and gripping films; but it's pretty grim. Everyone in London looks surprisingly ugly. Their characters, from hero to villain, are a trifle uglier too. But don't expect a happy ending. Things go just a little bit past the point where a happy ending is possible.